Looney Tunes to Produce Ocean’s Eleven-Inspired Heist Film as Warner Reorganizes Animation

November 7, 2026

The Looney Tunes will have a fresh chance on the big screen, and this time the starting point veers away from their usual chase sequences. Warner Bros. Pictures Animation is developing a film inspired by the Ocean’s Eleven heist formula, a project that emerges at a particularly delicate moment for the studio’s animation business setup.

The information comes from a report published by TheWrap about how the various animation labels coexist under Skydance. For now, the only creative clue known is this heist-focused premise: there is no detailed plot, no director, no screenwriters, no voice cast, and no release date announced. It is also not confirmed which members of the Looney Tunes family will star in the movie.

Still, the comparison has its charm. Ocean’s Eleven builds its spectacle around a team of specialists who must execute a precise plan. The humor of the Looney Tunes typically arises from the opposite: impulsive characters, endless rivalries, and inventions that derail any calculation. Bringing these two traditions together in a feature film opens an interesting narrative possibility, provided the movie finds more than just a string of gags about thieves.

Warner already knows how tricky it can be to chart a cinematic path for these characters. The journey of Coyote vs. ACME was shaped by the initial decision to shelve a completed film and its subsequent revival for release. That episode turned the commercial fate of a Coyote-centric comedy into a much broader debate about how studios manage their works and their franchises.

A heist movie without a confirmed crew

It is tempting to picture Bugs Bunny directing the operation, Daffy Duck trying to seize the loot, or Wile E. Coyote contributing one of his dubious contraptions. But that, for now, belongs to the realm of possibilities. Warner has not confirmed the involvement of any of them nor whether the film will adopt traditional animation, a digital technique, or a live-action hybrid.

The appeal of the concept lies in its structural premise. In classic short films, the characters do not require long to unleash a comic catastrophe. A heist narrative, by contrast, needs to establish a goal, assign roles, introduce obstacles, and guide the operation toward its conclusion. The challenge is not merely to move the Looney Tunes into another genre, but to preserve their anarchic spirit while maintaining the coherence of a feature-length story.

Warner has already shown how difficult it can be to find a cinematic path for these characters. The course of Coyote vs. ACME was marked by the initial decision to shelve a finished movie and its later revival for distribution. That episode transformed the commercial fate of a Coyote-centered comedy into a much larger discussion about how studios handle their works and their franchises.

Three animation studios under one roof

The new project arrives precisely as Skydance brings together Warner Bros. Pictures Animation, Paramount Animation, and Skydance Animation under its umbrella. The stated intention so far is for the three labels to continue operating separately, although the specifics of this coexistence are still being defined. This is not a small matter: each division has its own brands, projects, teams, and production approaches.

Warner’s slate includes, besides the new Looney Tunes film, another Tom and Jerry project, an animated Flintstones feature, and a Speedy Gonzales feature with Jorge R. Gutiérrez. Also in development are ‘Meerkats’, linked to Colin Trevorrow, and a new take on ‘ThunderCats’. That these ideas are in progress does not guarantee their release: they still must pass through the usual development, financing, and production hurdles.

That is where the true unknown about the Looney Tunes lies. The concept of a heist crew gives the project a recognizable identity and allows bringing together several characters without relying on a live-action action star. But it will be the creative team, once announced, that decides whether this premise can stand as a film with its own substance. For now, there is a concept for a feature, not a fixed release date.

Spencer Sutton

Spencer Sutton

I write about movies, television, celebrities and the cultural trends shaping entertainment today. I’m especially interested in the stories behind what people are watching, sharing and talking about, with a focus on making entertainment news clear, engaging and easy to follow.