Netflix Debuts First Trailer for The Chronicles of Narnia: The Magician’s Nephew, Greta Gerwig’s New Film

October 14, 2026

Netflix has released the first trailer for The Chronicles of Narnia: The Magician’s Nephew, although the platform has not announced a specific time for its release. The preview will serve as the first official glimpse of the ambitious adaptation directed by Greta Gerwig, with a theatrical release scheduled for February 12, 2027.

The film will subsequently arrive on Netflix on April 2, 2027. That schedule confirms an unusual strategy for the company: reserving the new Narnia adventure for the big screen, including IMAX venues, before adding it to its streaming service.

What the First Narnia Trailer Will Show

The trailer announcement comes paired with a new poster focused on the silhouette of Aslan, the lion who is inseparably linked to the universe created by C. S. Lewis. In this version, the character is voiced by Meryl Streep, one of the most recognizable names in the cast.

The image also features two children on a winged horse. They are Digory Kirke and Polly Plummer, the story’s protagonists, portrayed by David McKenna and Beatrice Campbell. The animal is Strawberry, a ordinary horse who plays a significant role as the characters’ journey unfolds.

The trailer will need to clarify how Gerwig approaches a story that functions as both a fantasy adventure and an origin tale. Netflix has not yet detailed which scenes the preview will include, so any reading of the film’s final tone must wait for the first moving images.

An Origin Story Within the Saga

The Magician’s Nephew occupies a singular position in the Narnia canon. It is the sixth novel published by C. S. Lewis, but its events take place before the better-known books, as they recount the origin of Narnia and explain fundamental elements of its mythology.

That ordering can cause some confusion for those who mainly remember the films released in the 2000s. The new production does not directly retom the Pevensie siblings’ adventure, but instead moves backward within the internal chronology to tell how that world was born and what relationship its earliest visitors have with it.

The starting point follows Digory and Polly, two children who encounter unknown realms and become involved in the creation of Narnia. For Netflix, adapting this book means presenting the universe from its roots, but also finding an entry point that does not depend on repeating the structure of the earlier films.

Greta Gerwig Takes the Lead of a Megaproduction

The choice of Greta Gerwig places the project in a particularly striking position. The director of Lady Bird, Muy de Boys and Barbie now faces a sprawling fantasy production, far removed in appearance from her more intimate works, though connected to them by her interest in young characters, family bonds, and coming-of-age narratives.

The adult cast also includes Daniel Craig, Carey Mulligan, and Emma Mackey. The combination of a director with a highly recognizable creative identity and several esteemed actors makes the trailer something more than a visual presentation: it will be the first opportunity to see whether this version leans toward solemn fantasy, family adventure, or a blend of both styles.

The production is handling an estimated figure of $280 million, a budget that places it among Netflix’s major cinematic bets. This may not be an officially confirmed figure from the platform, but it helps illustrate the project’s industrial scale and the pressure that will accompany every advance of the campaign.

The Theatrical Window Will Be a Test for Netflix

The most significant aspect of the schedule is not only the release date but the order chosen. Netflix will bring The Chronicles of Narnia: The Magician’s Nephew to theaters first and then make it available to subscribers. The inclusion of IMAX screenings reinforces the intention to present the film as a major audiovisual event rather than merely a catalog release.

For Spanish audiences, it will still be necessary to wait for the exhibition details for theaters and the exact territorial availability. What has been confirmed so far is the general calendar announced for the film: February in theaters and April on Netflix.

The decision allows the company to gauge the trajectory of a classic franchise outside the home environment. It also raises an important question: whether a movie conceived for streaming can recapture some of the anticipation, the cultural conversation, and the shared experience that are typically associated with major theatrical premieres.

The Trailer Will Have to Answer Several Questions

The initial footage must demonstrate that Narnia has its own identity in this new phase. It will not be enough to showcase creatures, digital landscapes, and the silhouette of Aslan: the audience will need to understand what relationship is established between Digory and Polly, what role the origin of Narnia plays, and how the tone of the book translates into a contemporary blockbuster.

  • The tone: whether the film leans toward a children’s adventure, toward epic fantasy, or a balance of both registers.
  • The visual scale: whether the world of Narnia justifies its theatrical release and the IMAX format.
  • The adaptation: how to translate a literary origin story into the opening chapter of a potential new era.

The campaign begins with an open question: Netflix has set the release day, but not the exact time of the trailer. When the preview arrives, the question will not be only whether it sparks enthusiasm, but whether it manages to explain why this story deserves to reopen the doors of Narnia.

Spencer Sutton

Spencer Sutton

I write about movies, television, celebrities and the cultural trends shaping entertainment today. I’m especially interested in the stories behind what people are watching, sharing and talking about, with a focus on making entertainment news clear, engaging and easy to follow.